Thursday, July 16, 2015

Our Favorite Films Part II: 1970 - 1999


#20 - Boys Don't Cry [Adam's pick]

Hilary Swank's greatest performance as a Brandon Teena, a trans man. Treats its protagonist's identity and sexuality struggle in a deeply sensitive way, and doesn't hide from the brutality of the violence committed against him due to ignorance. Heartbreaking.



#20 - American Beauty [Jeff's pick]

One of the few Best Picture winning films I can agree with, this debut by Sam Mendes features excellent performances by its whole cast and great writing. Kevin Spacey alone makes the movie great.

Thursday, July 2, 2015

Scattered Thoughts: CHAPPIE (Neil Blomkamp, 2015)


CHAPPiE made me appreciate Sharlto Copley's performance in Elysium (2013) so much more. As C.M. Kruger, Copley fucking owns his campy, obscenely over-the-top repulsiveness; and is a relieving distraction from the film's self-seriousness. In CHAPPiE, Neil Blomkamp tries to recreate this with every single antagonist. First it's the South African rap-rave group Die Antwoord, making their film debut, as two tweeker criminals; and their cartoonishness is exhausting. Then there is Hugh Jack as a former-soldier-now-scientist who has made a war robot no one wants to use. His performance can be broken down into three parts: Mad Jackman, Madder Jackman, Maddest Jackman. And in a single film he strives to make up for all of the roles that didn't allow him to speak in his Australian accent. Then, just in case we didn't get the subtlety, he brings in Brandon Auret to play a pseudo-crime lord constantly screaming incomprehensible  gibberish (to the point where subtitles were deemed needed). And all each of these characters amount to is a mirage of embarrassing impressions of Copley's crazed brilliance.

Tuesday, June 30, 2015

Our Favorite Films Part I: Birth of film - 1969

When Adam and I decided on making a collaborative film blog, we found ourselves coming up with a great deal of possible ideas for future blog posts, but what ultimately had us the most stumped was "how are we gonna start this thing?". That's the real question we couldn't answer. With our differences in opinion, we thought some kind of comparative piece might be the best way to illustrate our individuality, and ultimately we settled on a favorite movies countdown. But just a simple top 10, 20, 50, etc. wasn't going to cut it. In an attempt to bring attention to contemporary as well as classic films, but without the restriction of forcing our countdowns into the standard decade-by-decade format, we went with three different top 20 lists that will be organized like this:

Part I: Birth of film - 1969

Part II: 1970 - 1999

Part III: 2000 - Present day